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Wednesday, 17th September 2025
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Review

Art

Rebirth
5th December 2019 — By John Evans

Books

Choir in the blood
5th December 2019 — By Piers Plowright

Rock n Pop

Róisín Gadelrab’s music news: Lafayette; Ana Silvera; Ridiculous; Rock
5th December 2019 — By Róisín Gadelrab

Rock n Pop

Hottest acts set for Latin festival
5th December 2019 — By Róisín Gadelrab

Theatre

Review: The Lion, The Witch and the Wardrobe, at Bridge Theatre
5th December 2019 — By Angela Cobbinah

Film

The Cave: harrowing hell below ground
5th December 2019 — By Dan Carrier

Books

Object lessons
5th December 2019 — By Dan Carrier

Classical & Jazz

Vaughan Williams’ voyage of the soul
29th November 2019 — By Michael White

Classical & Jazz

Reason and passion in Britten’s ‘Death in Venice’
29th November 2019 — By Michael White

Classical & Jazz

Bach and du Sautoy explore the universe and everything
29th November 2019 — By Michael White

Film

Dan Carrier’s movies news: The Dirty War on the NHS
28th November 2019 — By Dan Carrier

Film

Words on the street
28th November 2019 — By Dan Carrier

Theatre

Review: The Positive Hour, at West London Trades Union Club
28th November 2019 — By Nell Maskell

Theatre

Review: Thread, at Hope Theatre
28th November 2019 — By Lucy Bacon

Theatre

Review: #We Are Arrested, at Arcola Theatre
28th November 2019 — By Clair Chapwell

Rock n Pop

Distress Down Under
28th November 2019 — By Dan Carrier

Food & Drink

A quality night out detected at Holmes
28th November 2019 — By Tom Moggach

Rock n Pop

Good elf at Christmas
28th November 2019 — By Róisín Gadelrab

Art

Face values…
28th November 2019 — By Jane Clinton

Books

Marlene and Eric: love is in the air
28th November 2019 — By Dan Carrier

Review

Jeff Wayne’s War of the Worlds – The Immersive Experience
25th November 2019

Theatre

Review: As You Like It, at Barbican
22nd November 2019 — By Tom Foot

Theatre

Review: Stray Dogs, at Park Studio
22nd November 2019 — By Lucy Popescu

Classical & Jazz

Don’t look back…National Opera Studio perform The Fatal Gaze
21st November 2019 — By Michael White