Jonathan Hansler in The First Modern Man

THE smell of frankincense is overwhelming in the intimate theatre. Bookshelves and paintings are suspended on the walls with Latin graffiti scrawled into any space left unadorned. Muskets and globes litter the floor, encouraging an atmosphere of aged opulence, perfect for the character seated in the centre.

The one-man production is a conversation with Michel de Montaigne, an eccentric 16th-century essayist. Following a loose linear structure, Michel recalls his life and introduces the audience to some topics covered in his famous works.

Posthumously dubbed “the first modern man”, in accordance with his futuristic morals and humanitarian ideals, this curious figure is convincingly brought to life.

Jonathan Hansler is entertaining and captivating despite the slightly inaccessible material. Using direct address to turn the audience into his English contemporaries, he lectures and jokes in turn.

A thought-provoking piece, The First Modern Man raises questions on moral relativism and human connections.

Until March 2
020 7704 2001