Residents, historians and Peabody workers attend the unveiling of the plaque for Billy Waters

A PLAQUE was put up this week to commemorate the life of a celebrated black street performer who died 200 years ago.

Billy Waters became known as the “king of buskers”.

He lived at Parnell House, now owned by Peabody housing association, near the end of his life, with his wife and two young children. He died on March 21 1823.

On Tuesday morning residents, historians and Peabody workers attended an unveiling of a blue plaque near Tottenham Court Road.

Ian McDermott, CEO of Peabody, said: “We’re here to commemorate the history of the area.

“As much as it’s about an individual, it’s also about the really rich history that made the area what it is today. So I’d like to welcome everybody, Peabody colleagues, residents – I’m sorry you’re not more satisfied and we’re working on it – and a particular thank you to Chris the caretaker who keeps this place running on a daily basis, and to Eugene.

“It’s right that we reach back into history and identify those people that perhaps haven’t been identified through the traditional way that we learn about history.”

Historian Tony Montague, who wrote Billy Waters’s biography, said: “He was the first African-American musician to become celebrated in Britain but he didn’t perform on any stage.

“He fiddled, sang and danced in the streets of the West End and in the public houses.”

Billy Waters from a painting of c1815

Born in New York, Billy Waters escaped enslavement and joined the British navy where he was promoted up the ranks. But one day, he slipped while loosening a sail and broke both his legs. His left leg was amputated.

Mr Montague said: “As a disabled war veteran in London he drew on these skills to supplement a meagre pension and performed outside the Adelphi Theatre on the busy Strand.

“Thousands of people saw and heard Billy perform.

“He sang and danced while fiddling and used his wooden leg for peculiar antics, pivoting on it and kicking it out.”

Mr Waters regularly played at a nearby pub that was the “gathering place of petty thieves, sex workers and street people” and the authorities “turned on him”, arresting him twice on the same day for begging and singing “immodest songs”.

Destitute a year later, he ended up at the St Giles workhouse where he died after 10 days. Mr Montague added: “He fired the popular imagination like no other London street performer. And was one of the very few early black performers we know anything at all about.”

Emily Momoh, from Camden Black British History, said she first came across the name Billy Waters three years ago when researching for an exhibition.

She said: “There’s so much more of his story to delve into, but to have this… being put up today is something that is right and fitting and that will be here for generations to come.”

The blue plaque commemoration was organised by the Nubian Jak Community Trust and sponsored by the Peabody Trust and Black History Walks.

The plaque reads: naval officer, street musician and “KING OF THE BUSKERS” BILLY WATERS… LIVED WITH HIS FAMILY ON THIS STREET IN THE ST GILES ROOKERY.